MA students curate a series of online exhibitions for Interpretations 2022
MA students from the School of Fine Art, History of Art and Cultural Studies have curated eight new online exhibitions using a range of open access collections.
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MA students from the School of Fine Art, History of Art and Cultural Studies have curated eight new online exhibitions using a range of open access collections.
Postgraduate Researcher Stuart Bowes shares his initial impressions of his hands-on training as a museum registrar at the Royal Armouries.
We are currently advertising a full funded PhD in collaboration with the National Science and Media Museum in Bradford. The PhD is titled Inside-out and outside-in: Participatory Methods for Science and Technology Collections.
Postgraduate Researcher Stuart Bowes discusses his experiences of conducting research interviews and considers their impact on his work with the Royal Armouries.
Consent, Coercion and Constraint is a new online exhibition which explores the intricacies of women’s freedom, consent, coercion and constraint using objects of beauty, female reproduction and health.
Dr Helen Graham reflects on the second year MA students have developed online exhibitions for Interpretations — a core mode for MA Art Gallery and Museum Studies, MA Arts Management and Heritage Studies, and MA Curating Science.
Small Objects Big Protest: Everyday Objects Infused with Messages of Protest is an online exhibition which presents how protests are carried out through everyday objects that contain protest messages from 1770 to the present.
Postgraduate students from the University of Leeds have launched their exhibition The Value of the Unknown, an online display that will question and show art from unknown artists.
Launching this month, A Matter of Taste: How Artistic Representations of Families Have Been Shaped at The Yale Center for British Art is a new online exhibition exploring the representation of the family structure and family life.
Personal Belongings: On Display is a new online exhibition which reflects on the ways personal items in museums have shed light on the soft boundary between the private and the public.